Ka Wai Ola - Office of Hawaiian Affairs, Volume 36, Number 6, 1 June 2019 — Skylark [ARTICLE+ILLUSTRATION]

Skylark

I By Lurline MacGregor t is rare that one ean look baek and say that that beeause of someone's passion and lifelong dedication to a cause, things changed. Yet, that ean be said of Jackie "Honolulu Skylark" Rossetti's commitment to Hawaiian music, whieh is at the heart of why Hawaiian radio and music are flourishing today. Skylark's radio journey started even before she returned home to Hawai'i after going away to college. She knew then that she wanted to be a radio broadcaster and graduated with a FCC license. She next started playing Hawaiian music at a small radio station in San Francisco. After coming home in the mid 1970s, knowing that her future lay here, not on the mainland, KCCN was the only Hawaiian music station in Honolulu. Of course, those days weren't a particularly high point for anything Hawaiian, as we were only starting to take back our culture and our pride, and there was mueh lost ground to be made up. Despite her velvet voice and passion and knowledge about Hawaiian music, KCCN didn't hire her immediately. They eventually did, though, and it wasn't long before Skylark became not only a trusted authority on Hawaiian music throughout the state, but a moving force for upcoming Hawaiian musicians to getting their music heard. Considering there was a renaissance in Hawaiian music and culture going on during this era, the timing couldn't have been betterfor her to becomethe linkand the transitionfromthe older, more territorial periodmusic tothe modern tunes and

styles that were just as Hawaiian. Her interviews with musicians and songwriters during this time were so valuable that they are now in

the Library of Congress in Washington, D.C. Her radio shows were never about her as a radio personality as they were about show-

casing Hawaiian music and artists. Yet her activism wasn't limited to music, she was involved inreviving other impoifant Hawaiian cultural practices as well, even going to Kaho'olawe to protest the military occupation. On the rare occasions that I saw Skylark in more recent years after she moved to Hilo in the early 1990s, I looked forward to hearing her perspectives on the ongoing evolution and changes to Hawaiian radio, for example, why were some music artists given either little or no air time. I remember her saying it was the oftenmainland corporate headquarters, whose concerns were more focused on the bottom line than showcasing artists. The fact that mainland companies even invested in Hawaiian music stations is a testament to the market that Hawaiian music has become. Skylark's depth of knowl-

edge about the inner workings of radio and of Hawaiian music and musicians was vital to the evolution of Hawaiian radio.

The reason I knew Skylark, though, wasn't through aradio connection, rather it was through hiring her as a narrator for video projects in whieh I was involved. She was a consummate professional with an exquisiteyet authoritative voice. She was always a pleasure to work with and would elevate a project simply by the sheer beauty and power of her expression. Skylark left an enormous legacy, not only to the Hawaiian community and Hawai'i, but to the world. The success of Hawaiian music today speaks for itself - Kalani Pe'a win- | ning Grammy awards the past two years against genres of music that a may have larger audiences, the l» proliferation of Hawaiian music stations throughout the islands, including community stations that U1V1UU111^| VU1UU1UU1LJ UlUUMllO lllUl

play the music that corporate stations don't play, and of the popularity of Hawaiian music in Japan. It is because of the commitment of people back in the 1970s, especially like Skylark, whose passion for Hawaiian music and the culture was persistent and fearless that Hawaiian music has risen to the level it is at today. The many awards and recognition she received over her career are testament to the impact of her dedication. Mahalo, Skylark, for everything you did to make Hawaiian music the thriving industryand cultural expressionthat it is today, including the many Hawaiian radio stations we now have and the opportunities for new and aspiring Hawaiian musicians to be heard. Our culture is stronger because of the peoplelike you who fought for it, especially at a time when it was an uphill struggle. The vibrancy of the music we have to share with eaeh other and with the world speaks for itselfand you will be remembered for it. ■ LuHine MacGregor is a writer, television producer and author of Between the Deep Blue Sea and Me.

Jacqueline 'Honolulu Skylark' Rossetti, sitting in her elemenl. - Photo: KWO File

Popular radio hosts 'Honolulu Skylark' Jacqueline Leilani _Rossetti and Kimo Kahoano joined forces - and personalities - on Nō 'Ōiwi 'Ōlino, the OHA-pro-duced morning radio show. - Photo: Courtesy of Kimo Akane